From graffiti and street art, he sought a much deeper sense in his art making and see more than the visual. He realized that reality is subjective, just like a shapeshifter from a spectator’s mood. With a background in Architecture, he is attached to portraying the connection of spatial context with human forms and perceptions. Being like an observer in our society he still left his works purposeless, a mere depiction of our reality. That is the time he started to direct his vision into opening discourses on social reflections, and observations based on our chaotic society by adapting, and portraying it. Bato’s works are often collections of gathered thoughts that create an illustration of graphic truths and deceptions, often finding balance from created chaos and deconstructed forms out of our society’s norms.