noodls

I grew up in Japan and Sweden with a Korean mother and a Swedish father with Sami roots. My Swedish side of the family comes from a small town by the Arctic circle, and my mixed identities have probably influenced my expression in art. It may have made me relate freely and openly to both tradition and theory.

The motifs often reflect mysticism and the existential in a somewhat abstract way. Geometric shapes, portals, mazes, entrances or exits. I ask ontological questions about what makes up my daily environment, the music I listen to, forms and architecture. By taking slices and elements from their context, changing perspectives, they become parts that grow out of it as their own individual form. It becomes almost surreal and anomalous. It can oscillate between flat abstraction and illusionistic geometry.